Exhibition
Akira Ishiguro's Solo Exhibition: By the Light of the Silvery Moon
Jan. 31 (Fri.) - Feb. 16 (Sun.), 2025
Art Front Gallery is pleased to announce Akira Ishiguro’s solo exhibition.
Date | Jan. 31 (Fri.) - Feb. 16 (Sun.), 2025 |
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Hours | Wed. - Fri. 12:00 - 19:00 / Sat. and Sun. 11:00 - 17:00 |
Closed | Mondays and Tuesdays |
Reception | Jan. 31 (Fri.) 18:00‐19:00 |
<Artist statement>
By the Light of the Silvery Moon
Akira Ishiguro
When I visited Akiyoshidai for the first time in May 2023, I became to be fascinated by that the several limestone pillars on the surface of the earth were actually a single large limestone below the ground.
Akiyoshidai is a limestone plateau located in Akiyoshi, Shuhou-cho, Mine City, Yamaguchi Prefecture, known as the largest karst topography in Japan. Its total area is approximately 100 km², and in some areas, the limestone is known to reach a thickness of at least 1000 meters.
Going back in time, Akiyoshidai originated as a coral reef in the warm southern seas. Beginning around 350 million years ago, during the Carboniferous and Permian periods of the Paleozoic era, the remains of creatures with hard shells of calcium carbonate accumulated on the seabed and turned into limestone, which accumulated from the sea to the mountain until it became several hundred meters thick. The mildly acidic water made of the rainwater and soil water with carbon dioxide from the air flowed in it. As a result of it, the limestone was eroded, and the current topography was created. Then, water passed through the limestone bedrock, and the calcium carbonate in the groundwater solidified again, forming stalactites. As the limestone dissolves in the water and solidifies, it changes shape freely, creating a magnificent underground space.
Walking under the unobstructed sky of Akiyoshidai and through the scenery of rocky limestone pillars stretching beyond the ridgeline, I get the illusion of standing on the surface of the earth from an insect's perspective. When I perceive nature, which extends far beyond my field of vision, as a statistical whole, I feel my existence on the earth by photographing a part of it.
I layered six long-exposure photographs of the same spot on Akiyoshidai under moonlight, and created a video work with a length equal to the sum of each exposure times. In addition, the use of a flash consciously adds contrast to the screen, drawing the eye to the limestone in the foreground of the image. I created a three-dimensional object with the same shape as the limestone, and painted a light snow marble pattern on its surface, which is rare among the many limestones found in Akiyoshidai. I will make the image overlap the artificial limestone, projecting the image onto the floor and walls as screens.
The polished artificial limestone illuminated in the darkroom reflects light and attracts viewers, but when they approach, it would be hidden by their own shadow. This reminds me of my trivial incident on site that I found myself hiding the limestone with my own shadow in the moonlight. During that short time, the light of the projector in the venue changes to moonlight, and viewers will relive my realization.
I hope that by bridging this gap between reality and perception, visitors will be able to imagine the visible and invisible forces that shape our earth.
By the Light of the Silvery Moon
Akira Ishiguro
When I visited Akiyoshidai for the first time in May 2023, I became to be fascinated by that the several limestone pillars on the surface of the earth were actually a single large limestone below the ground.
Akiyoshidai is a limestone plateau located in Akiyoshi, Shuhou-cho, Mine City, Yamaguchi Prefecture, known as the largest karst topography in Japan. Its total area is approximately 100 km², and in some areas, the limestone is known to reach a thickness of at least 1000 meters.
Going back in time, Akiyoshidai originated as a coral reef in the warm southern seas. Beginning around 350 million years ago, during the Carboniferous and Permian periods of the Paleozoic era, the remains of creatures with hard shells of calcium carbonate accumulated on the seabed and turned into limestone, which accumulated from the sea to the mountain until it became several hundred meters thick. The mildly acidic water made of the rainwater and soil water with carbon dioxide from the air flowed in it. As a result of it, the limestone was eroded, and the current topography was created. Then, water passed through the limestone bedrock, and the calcium carbonate in the groundwater solidified again, forming stalactites. As the limestone dissolves in the water and solidifies, it changes shape freely, creating a magnificent underground space.
Walking under the unobstructed sky of Akiyoshidai and through the scenery of rocky limestone pillars stretching beyond the ridgeline, I get the illusion of standing on the surface of the earth from an insect's perspective. When I perceive nature, which extends far beyond my field of vision, as a statistical whole, I feel my existence on the earth by photographing a part of it.
I layered six long-exposure photographs of the same spot on Akiyoshidai under moonlight, and created a video work with a length equal to the sum of each exposure times. In addition, the use of a flash consciously adds contrast to the screen, drawing the eye to the limestone in the foreground of the image. I created a three-dimensional object with the same shape as the limestone, and painted a light snow marble pattern on its surface, which is rare among the many limestones found in Akiyoshidai. I will make the image overlap the artificial limestone, projecting the image onto the floor and walls as screens.
The polished artificial limestone illuminated in the darkroom reflects light and attracts viewers, but when they approach, it would be hidden by their own shadow. This reminds me of my trivial incident on site that I found myself hiding the limestone with my own shadow in the moonlight. During that short time, the light of the projector in the venue changes to moonlight, and viewers will relive my realization.
I hope that by bridging this gap between reality and perception, visitors will be able to imagine the visible and invisible forces that shape our earth.