Project
Oscar Oiwa “Oil Octopus in the era of turbulent currents”
Artist
April 27, 2024 (Sat) to May 12, 2024 (Sun)
We are pleased to announce the solo exhibition of Oscar Oiwa titled "Oil Octopus in the era of turbulent currents," to be held at Shibuya Hikarie in spring 2024.
(Artwork using fishing boats from "Keelung Ciao 2023" in Taiwan)
Date | April 27, 2024 (Sat) to May 12, 2024 (Sun) |
---|---|
Hours | 11:00 - 20:00, Open daily during the exhibition period, Admission free |
Venue | Shibuya Hikarie 8th floor, 8/CUBE1,2,3, 8/COURT, and other locations throughout the building (Address: 2-21-1 Shibuya, Shibuya-ku, Tokyo) https://www.hikarie8.com/access/ |
Organized by | Shibuya Hikarie 8/, Art Front Gallery Co., Ltd. |
This exhibition, centered around the fantastical aquatic creature "Oil Octopus," which appeared in his 1999 work "Aquarium," reflects Oiwa's concerns about the global environment. It will feature new paintings and recent large-scale sculptures exhibited throughout the venue. We invite you to enjoy the drift of these charming characters living in turbulent times as you explore both the interior and exterior of Shibuya Hikarie.
Events
Date & Time: April 27 (Sat), 16:00
Venue: 8th floor, 8/COURT, Admission free, No reservation required
Date & Time: May 3 (Fri, Holiday), 14:00 - 17:00 *Will be postponed in case of rain
Venue: 4th-floor Hikarie Deck
Creation of a giant wall art measuring 10m in width and 3m in height. Oscar Oiwa's finishing work will be open to the public. Planned to be displayed until the end of September 2024 upon completion.
Date & Time: May 4 (Sat, Holiday), 14:00 - 16:00
Venue: 8th floor, 8/COURT, Reservation required, Admission free, Apply via form (QR code)
Drawing workshop with Oscar Oiwa. The created works will be exhibited on the 7th floor until May 12.
Limited edition official merchandise including T-shirts, badges, and tote bags will be available for purchase.
Works

《Oil Octopus 1》 2024

《Oil Octopus 2》 2024

Modern Ocean Wildlife installation view, Zhengbin Fishing Port, Taiwan.
Photo courtesy: Keelung Ciao 2023

《Aquarium》 1999

《Green River 1》 2023

《Boat and waves 2》 2023

(Reference Photo)2023落山風藝術季 -風的頻率- Luo Shan Feng Arts Festival(2023/12/15 - 2024/2/25)Installation view 、看海美術館 in Taiwan
Profile
大岩オスカール/Oscar Oiwa
Biography
-1965 Born in Sao Paulo
-1989 Graduated from Sao Paulo University, Faculty of Architecture and Urbanism / Sao Paulo
-lives and works in New York
Exhibitions
-2023 My Ring / Art Front Gallery / Tokyo
-2023 Taiwan Lantern Festival / Taipei
-2022 Setouchi Trienalle 2022 / Ogijima, Kagawa
-2019 Oscar Oiwa. Rio, Tokyo, Paris: Cities and Games, La Maison de la Culture du Japon, Paris
-2019 Oscar Oiwa: Journey to the Light, 21st Century Museum of Contemporary Art, Kanazawa / Ishikawa
-2008 The Dreams of a Sleeping World, Museum of Contemporary Art / Tokyo, Fukushima
More artist information here

“Oil Octopus in the era of turbulent currents”
At the turn of the century, in 1999, I was living in Tokyo, and that year I painted a picture called “Aquarium”. This picture, which fantasized about the future at that time, depicted a variety of creatures. Among them is an octopus-like “oil octopus” that looks like a small bottle leaking oil. What would this octopus think if it were observing the world today? This question is the theme of this exhibition. At that time, the population of the earth was 6 billion, and it was said that the world's computers would crash by the year 2000. It was also said that oil would run out someday, but global warming had not yet progressed very far. Electric cars were not widespread, and solar and wind energy were not yet widely used.
Twenty-five years later, the Earth's population has grown by 33% and we have reached 8 billion people. With this increase, changes in nature have become more noticeable. Abnormal weather events such as wildfires, heat waves, and torrential rains have become more frequent, and last year Japan experienced the hottest summer on record. In addition to global environmental issues, there is a coronavirus pandemic that started in 2019, and wars are happening in many places.
These curious events that are happening around me are the inspiration for the creation of my works. Although the works in this exhibition appear to be different, they are grouped into several series, and each series is related to each other.
This work was created for Keelung Tidal Art, an art festival in northern Taiwan. There are various currents in the ocean, and there are about five places in the world where garbage collects in whirlpools. We came up with a storyline in which common trash floating in the ocean (plastic bottles, bottles and cans) are made into characters that go out to the world's oceans to fish for trash fish gathered by the tides.
< Hell's Kitchen series >
Hell's Kitchen series “Hell's Kitchen” is the name of the neighborhood in New York City where I currently live. It is close to Times Square and has a high concentration of restaurants, but it used to be a very dangerous place. This series of works has a duality, as if there is a war for survival going on in the midst of a common, everyday kitchen.
< Mascot Series >
Mascot Series This series was born out of my solo exhibition at the Japan Cultural Institute in Paris in 2019, where I was commissioned to create large drawings inspired by the Olympics, with the theme of the exhibition coinciding with the Tokyo Olympics scheduled for 2020. However, during the exhibition period, there was a major strike in France, and the exhibition was cancelled. The same exhibition was subsequently held in Tokyo, but the exhibition was also disrupted during the Corona disaster. The oil mascot series, which was originally planned to be exhibited together with the drawings, was difficult to exhibit in a public space, and this is the first time it will be shown in Tokyo.
< Silent Ocean >
Silent Ocean I was in New York when the Great East Japan Earthquake occurred on March 11, 2011, and I was so shocked that I painted this picture. I thought that if I exhibited this work in Japan, it might bring back painful memories for some people, so I kept it for many years.
There are many problems in the world, but thanks to you, I live a relatively peaceful life. Every morning from Monday to Saturday, I take the subway for about 20 minutes to my studio and work until dark. I work quietly every day and occasionally go out for exhibitions and projects, interacting with people from all over the world. 8 billion people may seem like a mere number, but I have relationships with several hundred of them.

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